This is Lexi. She’s here to keep me focussed. She’s the protagonist in my novel, or rather series of novels aimed at young (8-12) girls. Or boys.
I shall say no more about her at the moment, not because I’m feeling secretive but I find that if I give my energy away explaining her raison d’etre and my plot, then it leaves me. I simply don’t have it to give to the story anymore and I dry up. Become paralysed.
And really, I suppose, that’s what this blog is about today. Seeing through goals and overcoming creative paralysis.
The first draft of the first Lexi book has largely been written over the last 12 months and is now complete. The manuscript was written whilst I was living as a single Mum (for work, not relationship reasons), and had a full time job, in the odd snatched lunch hour or late at night after my daughter had gone to bed. I have an odd writing routine, like most writers. We are creatures of odd habits. I write by hand in Moleskine notebooks, with Muji pens and I always write from the back of the book to the front, flipping the pages in reverse. The front of the notebook is for plot and character notes. I use a different colour pen each time I write, so that it is clear to me where I have to be extra vigilant that I have not messed up on continuity. I then set aside a separate time and space to type up those notes using my iPad and wireless keyboard, and usually involving a lot of strong black coffee. This acts as my very first ‘sense check’ edit.
I now have the luxury of something in abundance that has been very sparse indeed over the last 12 months. Time. I have time to write. And I have a space to write. Previous scribblings have taken place in cafes or in the corner of the bedroom at the rental house where there was a little bureau. I now have a peaceful gallery space – there is a little extension to the house which houses a small utility room and a playroom, and above this a little wooden gallery which is where I spend my days and evenings, reading and writing – childcare permitting. I have saved over the years for ‘a rainy day’ (or a creative one) and have enough money put aside to keep me, if I am careful, for a few months. I have the perfect opportunity to write and write and see if I can make something of my stories.
So why, then, have I only just got around to reading that first draft? Yes, all writerly advice says set aside a good period of time between writing and editing, but given that I have seven books in the pipeline I could have been scribbling more of book two, currently half way through but not touched for a month?
I have astounded myself with the amount of things I have found to do, other than write. Yes I moved house. Yes, my rental house – my very first house which I am lucky enough to have hung onto and rent out – needed sorting out after the tenant left it in an expensive to sort out state. Yes I’ve had two houses worth of ‘stuff’ to sort through, and thin out, and donate, and my daughter, now four, has moved out of her baby bedroom into the larger bedroom. I have been busy.
But writing takes an hour a day – look how much I achieved in those snatched lunch hours? Two or maybe three times a week I would take myself off, buy a coffee and sit and scribble away. I have found every excuse not to do so here, despite the perfect conditions. I have been paralysed. By what?
Here are some of the devils that sit on my shoulder:-
*You are not earning any money. At all. I have saved up and Lee is working – it’s my turn to follow my dream. Shut up.
*You will never get another job ever again. Ever. I have earned this time off. I am experienced and have a good reputation and I work hard. So that is nonsense. Anyway I might even make a living as a writer. Leave me alone.
*Your story is rubbish. Nobody will ever want to read it. If every writer thought that, and I think they all do at times, nothing would ever get published. And besides, I believe in my characters and my plot. Don’t you have anything better to do?
*You can’t write anyway. You’ve done EVERYTHING wrong in your stupid book. Okay you’re getting personal now – just bog off and go bother someone else.
See what I mean? Sometimes they’re more annoying, and louder than other times. I find that the more I allow the paralysis to take a hold, the louder they squeak and squawk. If I actually DO something, sit and write, even nonsense, they shut up for a while. Oh – and the internet – a double edged sword if ever there was one. An enormous resource of tools, support and inspiration. And an enormous distraction. Do I really want to know what comments some random friend of a friend has added to something I commented on? Nope. Or what my Twitter buddies are doing, minute by minute? Nope. Not that either. But I can’t help but have a little look every time the little ‘ting’ alerts me to a new message or comment. One useful piece of advice has come from Twitter – Zadie Smith – via @advicetowriters advises only ever working on a computer that is disconnected from the internet.
And then there is the course – the Writer’s Bureau course that I subscribed to a while ago and promises a full refund of fees if you do not earn at least your fees back from writing as long as you do everything they tell you to do . I have got as far as submitting assignment one. Pathetic. Assignment two has been staring me in the face for several months but somehow non fiction writing and all the research and pitching to magazines that it involves just leaves me cold at the moment – perhaps I should switch to non-fiction and tie it all up a little.
Yesterday I read an article in Mojo magazine, an interview with Kate Bush, a long time heroine of mine for her artistry, sheer volume of work and utter belief in herself. She said: ‘The structure of my day is morning and evening with the computer, but in the day I’m normally in the studio, and don’t have access to a computer because otherwise I just wouldn’t be able to work.’
Wise words. And so back to the editing. And by the way, as this is writing, it doesn’t count as procrastination.


Go on. Look up at it. What can you see?